Intro For Essay About Romeo And Juliet

Intro For Essay About Romeo And Juliet-32
Shakespeare's treatment of Brooke's poem has been discussed many times.To convert it into a play, Brooke's leisurely narrative required tightening, focusing, and restructuring.

Shakespeare's treatment of Brooke's poem has been discussed many times.To convert it into a play, Brooke's leisurely narrative required tightening, focusing, and restructuring.

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Painter's translation of Boaistuau's version is close and generally accurate, but Brooke's much longer verse narrative, 3020 lines in poulter's measure, The more important additions are the Nurse's interview with Romeo following the lovers' first meeting (631-73), the consequent report to Juliet of the Nurse's arrangements for the marriage (674-704), Romeo's long and highly emotional interview with the Friar after Tybalt's death (1257-1510), the account of Romeo's sorrow in exile in Mantua (1740-80), and the Nurse's crass advice urging Juliet to marry Paris while she maintains a liaison with Romeo (2295-2312).

In all of these additions, except the description of Romeo's sorrow in exile, Shakespeare found viable dramatic material, which he put to memorable use in parts of 2.4, 2.5, 3.3 and 3.5.

Despite Brooke's virtues, however, the poem is pedestrian, long-winded, overdecorated with 'poetic' commonplaces, and written in a lumbering pseudo-high style.

The miracle is what Shakespeare was able to make from it.

Cox claims that neither Juliet's mother nor the Nurse are fully adult—a station in life which Juliet reaches through her relationship with Romeo—because they were denied the adolescence through which Juliet passes. Blakemore Evans (essay date 1984) SOURCE: An introduction to Romeo and Juliet, Cambridge University Press, 1984, pp. [In the following excerpt, Evans provides an overview of the play's sources, structure, style, characters, and tragic qualities with an emphasis on the theme of love.] SOURCES AND STRUCTURE The general type of story represented by Romeo and Juliet has its roots in folklore and mythology.

Best described as a separation-romance, it shows obvious analogies with the stories of Hero and Leander, Pyramus and Thisbe, Tristan and Isolde, and with later medieval works like Floris and Blanchefleur and Chaucer's Troilus and Criseyde.

The play, then, begins on a note of threat and public discord, resolved for the moment by an imposed and uneasy truce.

In contrast, Brooke, though mentioning the Capulet-Montague feud early in the poem (25-50) and suggesting that it is still smouldering, only allows it to erupt in violence after Romeus and Juliet's marriage (955-1034), thus losing the immediate potential conflict which Shakespeare sets up between the public and private worlds of the play.

Kahn contends that Juliet therefore has less freedom to experiment with new roles.

But unlike her mother and her Nurse, Juliet acknowledges and expresses her sexuality apart from its reproductive aspects.

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