This publication also includes a facsimile of one of Le Witt’s very first artist’s books, produced in December 1968 to accompany his exhibition at ACE Gallery in Los Angeles.
Essay On Sol Lewitt An Essay On Criticism Analysis Summary
What’s more, the composer’s score is about imparting feeling and mood that elevate it beyond notations merely for emissions of noise according to length of sound, or the point one sound is overlaid with another.
The catalogue also includes an essay by Béatrice Gross, first published in the catalogue of Sol Le Witt: Wall Drawings from 1968 to 2007, the exhibition she curated at The Centre Pompidou-Metz in 2013.
In addition, the catalogue Sol Le Witt:17 Wall Drawings, 1970-2015 analyzes the oeuvre and figure of Sol Le Witt through the contributions of three artists: Sun/Sol, a photograph by Louise Lawler, who has been documenting works of art in the contexts in which they are exhibited since the 1970s; a text by composer Steve Reich, a pioneer of new musical forms, in which he analyses the legacy of his colleague and friend; and a contribution by Lawrence Weiner, regarded along with Le Witt as one of the founders of Conceptual Art.
One work at the Fundaçion Botín, where 17 have been selected by Hogan and the gallery’s artistic director Benjamin Weil (and painted by four fabricators from the Le Witt Studio, and 15 local volunteers), is the oldest, though it's dated 2015 since it’s the very first time its been realised.
The work, , presents a rectangle divided into four equal squares, each featuring lines so closely rendered that it makes you go cross-eyed.